Samstag, 26. Oktober 2013

Spools



I'm very fascinated by this pattern. I did some research and didn't find many references to it. I only know now that it is a traditional pattern, I found a picture of a lovely quilt from 1880 showing this pattern in Jinny Beyer's wonderful book "Tessellation - Quilts entwerfen", she calls this pattern "Modified Spool" (and thankfully gives some instructions how to design the template), but mentions that it was also called "Applecore" or "Indian Hatchet". It also resembles the "Clamshell"- pattern, but it is always only a similarity, all these patterns mentioned above originally look more or less different. So, what becomes clear (and I searched the internet and all my Quilt-books, but still, I might be wrong here) is that this pattern was and is not widely used, and no wonder: it's for hand-sewing only, I find it impossible to use the machine here, even with larger pieces, all the curves don't fit when I try to assemble them with my machine - but then again, I'm not that good at machine-sewing in the first place. But all that makes it probably understandable why this pattern isn't that popular and even doesn't seem to have a proper name yet... I'll continue to call it "Spools", plus I will continue to use it for more projects, wallhangings, tablemats, quilts. As I said: I'm very fascinated by this pattern, I like that it's traditional and fine, that it is apparently rare, I like all these curves and small edges, I love the time and care it takes to put the pieces together and above all: I love when one curve meets the other and it all fits so nicely.

The detail above is from this tablemat:



Mittwoch, 23. Oktober 2013

Elizabeth Gilbert on "Creativity"


I love each of her sentences here, I think she is VERY right:




Her latest book, "The Signature of All Things", is the first book I started to read all over again right after I have finished reading it for the first time. I find it absolutely fantastic.

And of course I love sentences in this book like:
"... she sewed up the rents in the fabric of her life quite as well as she could, and carried on."







Dienstag, 15. Oktober 2013

"Spool"- Bookmarks



I so much love a good bookmark. I think and feel that it adds to the pleasure of reading a book in a profound way: it accompanies me during the entire process, it reminds me gently of the page where I stopped reading, it greets me beautifully when I get back to my book again after a break, it assumes the scent of the pages, I can hold and wring it when living through the most thrilling and heart-stopping passages... and it still looks good afterwards (hopefully)!


The book I'm currently reading and which is shown here with my new bookmarks is "The Signature of All Things" by Elizabeth Gilbert. I'm only halfway through but I can only say that it's been a long time that I had been so absolutely fascinated by a book. Since "Moby Dick" and "Cloud Atlas" I haven't had a book in my hands which I really don't want to go away from for a single minute. It is so excellently and expertly written, the story is so touching and timeless. The authoress takes my hands and leads me to worlds unknown and yet so familiar that reading this book is both an adventure and a homecoming.
 Also: this book is adorned with wonderful illustrations!


These bookmarks here came into being after I made the spool-flowers which can be seen in my post  below here. This is the same pattern, it's only used twice. My bookmarks consist of three layers of fabric like in a real quilt, they are sewn and quilted by hand (the machine would be completely useless here since it's all bows and tiny edges, it's a bit tricky to get that all done evenly).
Dimensions are 15 x 7,5 cm/ 6" x 3"



Freitag, 11. Oktober 2013

"Spool"- Flowers



As I'm always searching for and experimenting with different forms and shapes to make quilts which show a flower or a tree, I'm glad I found this pattern here to make flower-quilts: it came to me after I studied the book about Tessellation Quilts by Jinny Beyer (I talked about that book on September 7 here). The pattern is a tessellation and a variation of a "Spool"-pattern.
I love to make these flowers now in different sizes. 
I often fix the smaller ones loosely on cards so that  I can use them to make greeting cards then, but the flowers can be removed easily and then used everywhere, on a coat or a cushion or a bag.




Mittwoch, 9. Oktober 2013

Aachen Cathedral, Germany






I'm always very delighted to find lovely mosaics, they remind me of my beloved traditional quilt patterns, they all come from the same source! I took a trip to Aachen to see the Cathedral, and the mosaics there are absolutely stunning, they had been made between 1880 and 1913 by Venetian masters (and other artists from all over Europe). They decorate not only the floor in a gorgeous way, but also the walls and ceilings. I took lots and lots of pictures, here are some of them:













Samstag, 5. Oktober 2013

Trees




Oh, I so much like these lines, they are written by one of my favourite authors, Hermann Hesse:

“For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.

A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.

A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.

When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.

A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.

So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.” 

- Hermann Hesse, Bäume, Betrachtungen und Gedichte

http://www.goodreads.com/quotes/tag/trees


Hier ist dieser schöne Text im deutschen Original: 
http://www.gss.ucsb.edu/projects/hesse/works/baeume.html







My trees here are full 3-layers-quilts in different sizes, pieced and quilted by hand, created without any templates to give them their individual character. With a few fine stitches I sew each one upon a piece of rough watercolour paper and fix a small loop at the back. So  they can be used as a  greeting card  for example and they can be hung upon a wall with or without a frame.





Mittwoch, 2. Oktober 2013



...and  I just love flowers, too, especially when they come along in a slightly unruly fashion... :-)